My experience with the host director of UNATC I. L. Caragiale, Bucharest was lucky and stimulating. Working on the theme of migration with the instrument of theater means taking risks that are not only artistic: the risk of rhetoric, for example, of generality, or of having a paternalistic approach. The interweaving of different experiences and different levels of exposure to the phenomenon, among young European artists, can help to verify the route through sharing and comparison.